
Annie Briggs as "Leda Calder".

Christina Cuffari as "Jane".

Annie in action.

Christina in action.

Annie and Christina. They were both amazing!
Paul Kimball





Annie Briggs as Leda, a prisoner, and Christina Cuffari as Jane, her jailer.
Annie and Christina in the final act.
Christina as a drunken Jane.
Christina (on the left in the picture ) and Annie (on the right) have been doing absolutely stellar work. They have put their own unique spin on the play, which has resulted in a production quite different from the version I directed in Halifax back in November, 2007. 

Doing Time, which premiered here in Halifax in late November to enthusiastic crowds and critical acclaim, has been accepted into the Boulder International Fringe Festival in Boulder, Colorado, which runs from the 14th to the 25th of August.Most pleasant surprise: Director Paul Kimball's adaptation of a sci-fi short story called Doing Time proved theatre on a shoestring can be as entertaining as big-budget productions. The intimate basement room at The Wired Monk Cafe was perfect - Kate WatsonThanks Kate for the kind words, and thanks again to everyone who was part of the production, which looks like it will continue to live into 2008 (more on that in the new year). Expect more of the same from Semaphore in 2008!
Doing Time A Breath Of Fresh Air
Make Time for a Great Play
From Act 1
Enter ANONYMOUS WOMAN
ANON (casually): Anything good on TV?
LEDA: Static. What else? Why did you even give me a TV if all you're going to show me is static? I've told you that before. Play some music videos, some Seinfeld reruns . . . anything. And get me some new books while you're at it. I'm tired of this stuff. I wasn't a fan before and I'm not a fan now. Is this
some sort of brainwashing scheme?
ANON: A most inefficient one, given the time you've been in our custody. Wouldn't you think?
LEDA: I don't know what to think anymore. All I know is that I'm missing something. You're holding back.
ANON: Some might interpret that remark as a symptom of paranoia.
LEDA: Why wouldn't I be paranoid at this point? Sounds like a decent way to pass the time to me. And I'm sick to death of this . . . [Wrenches off suction cup and rubs her temple.]
ANON: I've told you not to do that.
LEDA: And I've told you: I don't even know if you're real. You could be a hallucination I've created to keep me company.
ANON: I can neither confirm nor deny. You should know that by now. Now reinstall the uplink before we both get in trouble.
LEDA: Are you saying you're my conscience? What if I don't put it back on? What does it matter? None of this is real.
ANON: That's a rather expansive accusation. Surely you're not including yourself.
Doing Time deals with the concept of time and the subjectivity of experience. In the play (adapted from a short-story), an amnesiac character finds herself in a ghastly environment from which she feels compelled to escape. Only later in the play is it revealed that she's a convict who's been involuntarily immersed in a virtual environment in lieu of physical imprisonment. Even more disorienting from the character's perspective, her induced 'dream' of imprisonment seems to have lasted hundreds of years -- yet law officials in the 'real' world assure her that only minutes have elapsed. Primary themes include the ethics of human-machine relationships and the potentially dehumanizing effects of technology. But the focus of the play is the role of time. Secondary characters are bureaucrats from the outside world who inform the main character of the nature of her dilemma and assist in her release.The play itself is adapted from a short story in Mac's critically acclaimed collection of science-fiction short stories, Illumined Black, which was written a decade ago, when Mac was only twenty years old.
With little more than small-press exposure to his credit, 20-year-old Tonnies makes an early bid for greater recognition with his first collection of short fiction, an uneven but always absorbing assortment of sketches that reveals a surprisingly mature craftsman at home with the vernacular of contemporary sf. In "Alchemist's Planet," a transformed human recalls, decades after the crash of an extraterrestrial spacecraft near Roswell, New Mexico, his previous identity as one of the aliens. In "Doing Time," a killer's sentence in a virtual reality prison is only five seconds long but subjectively lasts 500 years. In the title story, a neuroscientist's brain becomes the unwitting cargo of a space probe launched as a gift to an alien species. Tonnies' only major shortcoming is his inability to satisfactorily develop the plots of intriguing scenarios; he sometimes leaves the reader asking for more. His command of language, however, is indisputable. With a little more seasoning, Tonnies may become a major sf author"Ten years of seasoning have given Mac that ability to develop plots. For actors, his ability to command language should tell you all you need to know about the kind of characters he creates - ones that have something to say, and say it well.
- Ron Foley MacDonald [InfoMonkey.net], about Doing Time
A great play... The story is classic sci-fi, but you don't have to be a fan of the genre to enjoy Doing Time... In a season that has already had a banner crop of shows, Doing Time still manages to stand out.- Kate Watson [The Coast], about Doing Time